Signifier is a Brutalist response to 17th century typefaces. Acknowledging the processes and tools of digital form-making, Signifier’s digital immateriality draws on a deeply material past.

If van den Keere’s collection of types represents a singular idea of what an alphabet would look like, then Heldane is the purest and most thorough expression of that idea I’ve seen.

An interview between Josephine Granese & Kris Sowersby for the 2019 Arts Laureate.

Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica. It captures the analogue materiality of “Standard Medium” used in Unimark’s wayfinding system for the NYC Subway.

Nobody knows who designed Akzidenz-Grotesk. For about 20 years it was attributed to Theinhardt, but this has recently been proven untrue.

All the awards & accolades garnered by Klim. Includes local honours and international recognition in various design and typography competitions.